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  • Ceramic vases, 'Bridal Blossoms' (pair)
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Product ID: 141228

Items Remaining: 2

 

4.7" Diam. x 6.3" H

view in metric units

 

Weight:  2.4 lbs

 

Ceramic

For decorative use only

Not watertight

Signed by the artist

 

Ships from USA.




Ceramic vases, 'Bridal Blossoms' (pair)

Pristine white petals waft a sweet perfume across velvet black ceramic. Working in the traditional technique of Chulucanas, Ruben Adanaque depicts jasmine and orange blossoms on two sleek vases.

Ceramics such as this are entirely unique. Occasionally they may show slight variations of color or brushstrokes, thus confirming their originality and authenticity.
Your Price: $69.95
Retail Value: $116.95 (You save 40%)
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Ruben Adanaque Inga

Ruben Adanaque Inga

The artistry of Ruben Adanaque Inga has been featured in periodicals ranging from USA Today to The Boston Globe, and in the book Keepers of the Arts.
"Hi, my name is Ruben Adanaque Inga, and I was born on April 10, 1963 in the city of Chulucanas, Piura. From time immemorial, this region has been the cradle of significant pre-Inca cultures, such as Vicus,...

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Ruben Adanaque Inga

"Hi, my name is Ruben Adanaque Inga, and I was born on April 10, 1963 in the city of Chulucanas, Piura. From time immemorial, this region has been the cradle of significant pre-Inca cultures, such as Vicus, Tallan, and Moche amongst others, which bequeathed us a deep ceramist tradition.

"I started working as a potter at 17, in the workshop of the brothers Paz Arizmendi, from whom I learned the craft, starting as a burner. Then, I learned to create birds and fruits on my own. Two years later, I started making the traditional Chulucanas ceramic. But my wish was to create faces and hands, thus I came to study with master Max Inga.

"In general, my development as a ceramist evolves from practice, as for most artisans from my land. My works are characterized by globular and symmetrical shapes. I've adopted the Pre-Columbian technique of the Vicus culture from the rich cultural legacy of this region that consists of molding, palleting, and engobe.

"When I was 20,the rains caused by El NiƱo destroyed my home, burying me under the rubble. My family rescued me, but I suffered severe injuries that forced me to spend a long time interned and in rehabilitation in a hospital in Lima. In 1989, I return to Chulucanas where I refined my technique. And here I am, passionately trying to mold my clay and my life."

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