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Product ID: 151683

Items Remaining: 1

 

3.6 ft. W x 3.9 ft. H

view in metric units

 

Weight:  0.9 lbs

 

60% draylon, 40% wool

Do not use a dryer

Dry clean or hand wash

Dry in the shade

Use mild detergent only

Artificial dyes

 

Ships from USA.




Wool throw, 'Gachakata Stripes'

Subtly shading from one radiant color to another, this brilliant blanket makes a focal point in any décor. A black background heightens the drama of this lovely work. Hand-woven by the Yurivilca Family in the traditional Ayacucho style, it is decorated with tassels. The name, Gachakata, is Quechua for "blanket."

60% draylon, 40% wool. Dry clean or hand wash with mild detergent and line dry.
Your Price: $38.95
Retail Value: $55.95 (You save 30%)
 

Yurivilca Family

Yurivilca Family

"During my career I've received many awards and prizes, including the designation of Grand Master, but nothing satisfies me more than the love that I receive from my fellow countrymen...."
In the traditional weaving town of San Pedro de Cajas, the name "Yurivilca" shines brightly, yet it is the name don Cesar Yurivilca that truly resonates -...

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Yurivilca Family

In the traditional weaving town of San Pedro de Cajas, the name "Yurivilca" shines brightly, yet it is the name don Cesar Yurivilca that truly resonates - the result of the man's inimitable success in the art of textiles. Don Cesar is currently somewhat of an institution in a town that has made its name on tapestry weaving. This prestige is garnered not only through the success of his tapestries but also because Don Cesar is a pioneer in the field, choosing to take a different path from the traditional techniques and inventing the tapiz relleno. All of the weavers of San Pedro de Cajas now follow Don Cesar's technique because they are able to achieve a visual impact with their weaves similar to that which a painter would be able to create with his canvas.

"I've been involved in the field of weaving since I was a child. The influence comes from my family and from my town as well. My parents and my grandparents were weavers and almost everyone in San Pedro de Cajas is involved in this activity. All that I've learned has come from practice, for I've never received any kind of schooling in the art of weaving. I am always seeking to develop new forms and styles for my art. This field gives me great spiritual satisfaction, especially when I am able to teach the new generation of weavers. I hope that I can leave behind an informal schooling tradition whereby 'Sanpedrinos' can always depend on weaving to make a living. In fact, we've formed a type of community with my children (Cesar, Julio, Grimalda, and Wilfredo) whereby they teach the other young children the skills that I've taught them.

"All of my weaves contain traditional aspects of my town and Peruvian culture in general. I've made tapestries, blankets, rugs, cloaks and even bags, for which I use sheep's wool and cotton (90/10%). For the colors I employ natural as well as industrial dyes. My primary tool is the loom, comprised of a wood shuttle, combs and pegs. The process of my work consists of applying the relleno technique, which means positioning the colored wool between the rows of threads according to the design, and adjusting it with the comb to ensure a compact and precise product.

"During my career I have received many awards and prizes, including the designation of Grand Master, but nothing satisfies me more than the love that I receive from my fellow countrymen - the only thing that will keep me going after I turn eighty years old. Also, since I promote the culture and values of the Peruvian people, I've taken part in the San Pedro de Cajas 'Museo Yuri,' which conserves artisanal and archeological pieces, undeniable testimony to our glorious past. I hope that through Novica I am able to meet new friends and to also disseminate the art and culture of my country, Peru."

Don Cesar is a man of modest words and rich dreams. With his provincial simplicity and incredible dignity, he has exhibited his works in Australia and Colombia. He has declined many invitations to exhibit his work because he believes that his place is in Peru, and that the Peruvian who leaves should soon return, for one cannot live much time with their feet in another country.

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