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Wayan Rendah

"I was born in Bali on the 17th of June 1973. I am the oldest of seven children, in a family consisting of four brothers and three sisters. I started to learn to sculpt at the age of eight when I was still in primary school, learning from my father how to carve traditional statues from wood. Balinese woodcarving touches me very deeply. I have learned a variety of arts in Bali, such as gamelan dance, but carving a piece of wood gives me an incomparable sensation.

"At first, I sold my statues to the sellers in the art market in a village called Sukawati and to owners of small shops in Ubud. After I finished school, I studied with Wayan Purna so as to have a stronger foundation to build upon, because even at a young age I knew that what I wanted was to be able to create the ideas I had in my head. But to do this I needed more experience and the tools and material I needed were beyond my financial reach.

"My ideas were unconventional at the time, developing abstract figures inspired by the form and texture of the piece of wood I had selected. Combining traditional themes with modern poses and more sensual shapes.

"As time went by I was able to bring out my ideas by selecting different types of wood and concentrating on the themes that could satisfy my creative desires. Exploring the abstract world refreshes my mind in creating new carvings. The mind and inspiration are two amazing things that encourage me to create special works in my art. Wood has certain special characteristics that I would sacrifice if I worked with another medium like stone, which is not easily broken and produces very specific effects.

"I am married to a beautiful woman who helps me arrange my works to be exhibited in my small place and find new sources of inspiration."

"And after joining with Novica, I have been able to continue to express my ideas and to support my family and my work can be seen outside Bali. I am very grateful for this, because this is my strongest desire; to be able to create and share the ideas I have and support my family. I hope that the people that see my work enjoy it, as it gives me great pleasure when one of my statues inspires somebody. This the foundation of my work."

"This is funny story that once happened to me: I had finished a statue and a tourist wanted to buy it, but after close inspection I noticed one finger was missing from its hand. I was mortified; I gave back the money for it and said I was sorry but that the statue was not for sale. I still have it as a reminder."