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Product ID: 123858

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3.3 ft. W x 13.1 ft. H

view in metric units

 

Weight:  1.2 lbs

 

100% silk

Dry in the shade

Use mild detergent only

Dry clean or hand wash

Iron when damp

 

Ships from USA.




Silk wall hanging, 'Elegant Fuchsia'

Floral Thai patterns minutely balance the expansive central swath of this wall hanging. Silk brocade creates soft textures before the fuchsia background, executed in hues of leafy green and lustrous gold. Pure silk results in a truly palatial accent.

Queen Dararassamee was one day "offered" to the King of Bangkok by the King of Chiang Mai. Much later, she returned to her native Lanna kingdom (the name for Northern Thailand) and...

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Silk wall hanging, 'Elegant Fuchsia'

Floral Thai patterns minutely balance the expansive central swath of this wall hanging. Silk brocade creates soft textures before the fuchsia background, executed in hues of leafy green and lustrous gold. Pure silk results in a truly palatial accent.

Queen Dararassamee was one day "offered" to the King of Bangkok by the King of Chiang Mai. Much later, she returned to her native Lanna kingdom (the name for Northern Thailand) and brought with her many arts and crafts from the central region of the country that she discovered during her stay in Bangkok, such as the magnificent pha yok brocaded silk textiles. Originally woven exclusively to attire the palace court, the rich and the commoners were eventually allowed to own the royal fabric as well. Regrettably, the art of the pha yok has practically died out, and only a few persons are still engaged in this particular craft. Orasa Khunsangkham is one of them, preserving ancient techniques and her exquisite Lanna patterns.
Your Price: $374.95
Retail Value: $723.95 (You save 48%)
 

Orasa Khunsangkham

Orasa Khunsangkham

Orasa Khunsangkham is featured in Keepers of the Arts, a beautiful hardcover book available through Novica.
"I began my apprenticeship at 13 years old, and learned all the silk-making stages – and I really mean all of them: growing the worms, reeling the silk from the cocoons, dying the threads and, finally, weaving complex patterns on a loom.

"I...

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Orasa Khunsangkham

"I began my apprenticeship at 13 years old, and learned all the silk-making stages – and I really mean all of them: growing the worms, reeling the silk from the cocoons, dying the threads and, finally, weaving complex patterns on a loom.

"I learned everything from my grandmother, who was renowned for her expertise in silk. For many years I watched her weave various patterns such as pha mai yok dok, brocaded silk, or chock sam thang, a three-pattern design. One day, when she went away for a few days, she asked me to finish a skirt she was weaving. That was the first item I ever wove. It took me two years to master that particular pattern.

"When I was 29 years old I started to weave professionally. I no longer raise silk worms myself, but I continue to enjoy the complicated process of weaving silk on a traditional loom. I am now an expert at brocading silk with metallic threads, and my work has received considerable attention, which always delights me. I also enjoy teaching people who are interested in learning this ancient style, but few people really have the patience to master these techniques. If you want to weave silk you must truly love the fabric and be patient – only then will you succeed.

"Each time I weave a silk item, a fabric is created that cannot be duplicated – because it is hand-woven with different patterns, different colors and at different times. Still, even though I cannot weave the same item twice, I can proudly remember every piece of silk I ever wove. I look forward to continuing to weave silk every day."

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