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Product ID: 123432

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39.4" W x 74.8" L

view in metric units

 

Weight:  0.8 lbs

 

100% silk with 14k gold threads

Dry in the shade

Use mild detergent only

Dry clean or hand wash

Iron when damp

 

Ships from USA.




Silk sarong, 'Bhurahong'

Vertical bands of purple and blue create a shimmering effect, enhanced by delicate details in 14-karat gold. Orasa Khunsangkham stylishly orchestrates 100% silk thread, as bhurahong floral motifs recall ancient Thai artistry. A form-fitting acquisition for the modern wardrobe.

Click here for information on how to tie a pha sin sarong. (Format: Adobe .pdf)

The Thai name for this...

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Silk sarong, 'Bhurahong'

Vertical bands of purple and blue create a shimmering effect, enhanced by delicate details in 14-karat gold. Orasa Khunsangkham stylishly orchestrates 100% silk thread, as bhurahong floral motifs recall ancient Thai artistry. A form-fitting acquisition for the modern wardrobe.

Click here for information on how to tie a pha sin sarong. (Format: Adobe .pdf)

The Thai name for this luxurious technique of brocaded silk is yok dok. Silver and gold threads are made of finely beaten silver and 14-karat gold wrapped around a silk core. Formerly from the southern district of Nakhon Sri Thammarat, these precious brocaded silks were exclusively hand-woven to dress the King, the court, and the high-ranking officials, earning the Thai court its reputation for opulence. Over time, the rich and even the commoners were slowly allowed to own the royal fabric. Regrettably, the art of gold and silver silk brocade has practically died out, and only a few persons are still engaged in this particular craft. Orasa Khunsangkham is one of them, preserving at the same time this ancient technique and the exquisite motifs of Lanna (northern Thailand).
Your Price: $257.95
Retail Value: $563.95 (You save 54%)
 

Orasa Khunsangkham

Orasa Khunsangkham

Orasa Khunsangkham is featured in Keepers of the Arts, a beautiful hardcover book available through Novica.
"I began my apprenticeship at 13 years old, and learned all the silk-making stages – and I really mean all of them: growing the worms, reeling the silk from the cocoons, dying the threads and, finally, weaving complex patterns on a loom.

"I...

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Orasa Khunsangkham

"I began my apprenticeship at 13 years old, and learned all the silk-making stages – and I really mean all of them: growing the worms, reeling the silk from the cocoons, dying the threads and, finally, weaving complex patterns on a loom.

"I learned everything from my grandmother, who was renowned for her expertise in silk. For many years I watched her weave various patterns such as pha mai yok dok, brocaded silk, or chock sam thang, a three-pattern design. One day, when she went away for a few days, she asked me to finish a skirt she was weaving. That was the first item I ever wove. It took me two years to master that particular pattern.

"When I was 29 years old I started to weave professionally. I no longer raise silk worms myself, but I continue to enjoy the complicated process of weaving silk on a traditional loom. I am now an expert at brocading silk with metallic threads, and my work has received considerable attention, which always delights me. I also enjoy teaching people who are interested in learning this ancient style, but few people really have the patience to master these techniques. If you want to weave silk you must truly love the fabric and be patient – only then will you succeed.

"Each time I weave a silk item, a fabric is created that cannot be duplicated – because it is hand-woven with different patterns, different colors and at different times. Still, even though I cannot weave the same item twice, I can proudly remember every piece of silk I ever wove. I look forward to continuing to weave silk every day."

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